U2 roundup

 

U2 was my favorite band of my high school years. I can’t help but be fanatical about him. Today I am going to catch up with reviews of their recent activity. 

Surrender: 40 Songs, One Story: Book by Bono

Surrender is surely a bit of a Rorschach Test for what you think of Bono. I am a huge fan, bordering often on obsessed, so of course I loved it. But if you find Bono pompous or arrogant or just plain annoying, this won’t change that. And most people probably fall somewhere in between, and will find this a mixed bag.

The first pages of the book open up with a lot of purple prose but after it settles down to standard bio after 20 pages or so, it isn’t so bad. The end of the book seems similarly appended with two dozen unnecessary pages.  

I wasn’t sure what I expected, but Bono is a good storyteller in that he has generally come off to me as  the most relatable human Everyman musician.

He’s not dramatic like Nick Cave or poetic like Leonard Cohen or angry like John Lydon, for example. Perhaps that is what made U2 so good.

The U2 story has been covered in depth for years, so fans won’t find anything much new. Still, if you find yourself as someone who relates to Bono, you probably won’t mind.

A 45 year career is a lot for one book. Especially as the 20th Century U2 was a music entity and the 21st Century U2 is largely a political entity. Both are interesting and important but it’s a lot to fit in.

I think most people would agree that the book could use some trimming. Maybe Bono doesn’t need to add all 500+ pages of his thoughts. But otherwise, I have no real complaints and while the political stuff won’t interest everyone, it does interest me.

As interesting as the band’s interactions with Presidents Clinton and Obama are, it’s the interaction with the people he generally disagree with like Bushes (and lack of interaction with Trump) that is most interesting.

As an aside, I hate the cover, which i find pretentious and awful and I don’t like the 40 song tie in- which is a reference to the chapters because I don’t think it quite fits. 

Which is a tie in to the 2023 album 

Songs of Surrender by U2

The first “album” from U2 in six years (and I have liked their last two albums more than I hated them) is a reinterpretation of the band’s catalog re-recorded largely without the band’s rhythm section. 

I streamed these songs when they were first released and my wording was  their classic songs redone as an incredibly boring piece of art”.  It consists of four albums of ten tracks picked by each member. 

Lyrics are rewritten- Walk On becomes about Ukraine, Bad becomes a first person narrative. 

Projects like this seem self indulgent (and U2 is the most self indulgent of bands). It is easy to pencil this in as in similar vein of recent Rod Stewart albums. It is at once too long and though there are changes, they don’t feel like enhancements. 

Allmusic user reviews are a fun read to tell you exactly what is wrong with the album as one one-star review after another complains about what feels like an uninspired cash in. 

But as I reflect now a year later, I seem to fit more into my fandom and less as a critic. Is it for anyone but the most diehard U2 fan? No. Is it anywhere meeting the expectations a fan might have?  Not really. 

But in small pieces, there are enjoyable moments. I just can’t find myself hating it completely. It will be forgotten quickly as time goes by but given that it came out to virtual thrown tomatoes, I hate to see it buried completely 

The album is accompanied by a film that streamed on Disney + 

Bono and the Edge- A Sort of Homecoming with David Letterman

The album and the documentary feel like U2 are in their autumn years and that is okay. They are and it has been 30 years since they felt like the most important band on the planet. 

Pairing them with David Letterman only doubles down on nostalgia. That’s ok because it gives the film a sense of importance. There were always Beatles comparisons and they do seem like the 80s/90s version

Adam Clayton is busy acting and Larry Mullen injured, explaining why they are not here and largely missing on the album. 

Still, Bono and the Edge feel intimate- telling their story (again once over shared but it still feels important here)

Letterman walks around Dublin in his usual way. The band plays their Adam and Larry less versions of their songs, but they sound good in this particular live environment. 

The mood stays light throughout which is probably for the best. It’s another postcard for the fans, but Letterman’s involvement help frame it in an interesting way.