Wednesday, July 23, 2025

Album Review- Franz Ferdinand- The Human Fear

One of my favorite bands of all time is Franz Ferdinand. Like many bands, the success of their first album has overshadowed everything they have done. Even more so as it was such a big hit. There was the band on the 2005 Grammys in one of the most eclectic openings - on stage with Black Eyed Peas, Maroon 5, Gwen Stefani & Eve and Los Lonely Boys. There surely was no where to go but down. 

I think of Franz in similar terms to the Strokes though that band came out with a debut three years earlier. Yet while the Strokes had that splashy kickoff, the online music community seems to still wildly embrace them. You will find intense cult audiences for all of their albums even their least successful ones. Even Julian Casablancas’s spinoff band, the Voidz which generally has been ignored by most of the media is treated online with the kind of blind reverence usually reserved for acts like Sonic Youth, Kendrick Lamar or Sleater- Kinney. 

 That doesn’t seem to happen to Franz Ferdinand who I don’t think has made a bad record. In many ways, I think I prefer their second record, which in retrospect is the bridge from that debut to a more electronic dance sound. The third album 2009s Tonight: Franz Ferdinand is a continuation of that sound but the excitement of a new album was waning. 

That said, I quite like album 4 and 5- 2013s Right Words Right Thoughts Right Actions- a surprisingly solid album for a band that far into their career and 2018s fan dividing Always Ascending. 2025s The Human Fear suffers from being rather nondescript. It is as a beginning to end listen quite good. 

But Franz really haven’t changed the template in recent years. This was a band who had so much personality on those early albums (even doing a spinoff album as FFS teaming with Sparks). It’s the problem Always Ascending had but even more so Hooked contains the lyric that gives the album its title and it has the sexy swagger of that second album. Similar to the ironic pomp of Pulp or the Dandy Warhols, it’s great but so are the “album tracks” like Night or Day that would never see radio airplay but are solidly constructed, which are probably better than the expected (but still enjoyable) fare like “Build it Up” (I was clearly wrong or (maybe the band was wrong) as I looked at Wikipedia and the first single is “Audacious” the album opener, which has some elements of a radio single but generally hits my ears at an album track and “Build it Up” was the second single. 

To my ears there are more obvious singles. Maybe such things don’t matter these days anyway. But songs like “Cats” and “Hooked” will surely find their way to playlists)




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