Album Review- Red Hot Chili Peppers- Unlimited Love

So I guess, Um, I’m a pretty big Red Hot Chilli Peppers fan. When I first heard them, it wasn’t that I didn’t like them, but I felt the hype was unbearable. But I was getting introduced to a lot of things, Mothers Milk was a bit too much for me in terms of advertisement, but I was also hearing some of the silly punk stuff and I didn’t hate the funk stuff, and it would be incorrect to say I wasn’t a fan. Some of it was great. Then the Huge album was next. I was not overly impressed, even while I was hitching my saddle with REM, U2, Nirvana, The Cure and some of the big records of the day. Something funny happened to the Peppers. Like every band in the history of time, they couldn’t stay at the top forever and the follow up four years later was One Hot Minute, which by all measures, a flop. But here’s the thing, I kind of dug it. Adding Dave Navarro to the mix changed things and the darker sound wasn’t what people expected, but I actually think it’s a fairly good listen. The Peppers had transitioned into a more ‘mature’ sound and with John Frusciante back would continue to release albums and return to chart success. For me, the apex of this direction was 2002’s By the Way- one of those love-it-or-hate-it records that solely depends on if one is interested (or not) in a more mature and introspective Peppers. The last couple of RHCP discs feature Josh Klinghofer replacing Frusciante. They were generally well received, but the Peppers are rock lifers now. We won’t likely see much more in terms of inventive music. But Frusciante’s (and Rick Rubin's) return means Unlimited Love will get a lot of attention and scanning the reviews, the album is a bit of a Rorschach test for the reviewer. At 17 tracks and near the standard compact disc length of 80 minutes, it’s a bit of an “all of the above”. Is it a continuation of the current trajectory or is it a mature return to Blood Sugar Sex Magick as the rap of Poster Child or Aquatic Mouth Dance implies? Yes. Bits of both sides interweave throughout. What is your status as a fan? Do you think they are irrelevant dinosaurs? Do you await their every new release? Have you not listened to them in 20 (maybe more) years? With that many songs, all of the above elements are there- throwback to BSSM, introspection like By the Way and effortless arena rock like Stadium Arcadium; and with plenty of songs near or over 5 minutes, again all aspects are present. But as a reviewer, I’m compelled to make some kind of judgement, so I will say it’s a generally very good record. It’s hard not to talk about it in terms other than “lifer”. The band seems to be able to produce 70 minutes with little struggle in effort, much like those late era Stones or U2 albums. Oddly, the artist that comes to mind for me the most isn’t necessarily a stylistically similar one. I hear Alice Cooper insomuch as Anthony and Flea can’t really reinvent themselves at this point. Like Alice, Kiss, or Ozzy, it would be ridiculous to expect anything else. The album is likely not helped by containing that killer single (Black Summer, These are the Ways and She’s a Lover are serviceable enough for the fans and career retrospectives) or that many of the gems are hidden near the end of the album like The Great Apes and Veronica and the much buzzed about guitar workout of the Heavy Wing. I do think if you like this stage of the bands career, you can at least say they stepped up to the plate on this one, and even if it doesn’t measure up to previous albums for the reasons above, it’s still a very worthwhile record.