Album Review- Duran Duran

I could probably write a book about Duran Duran and my fandom, but perhaps I should keep it simple here.

I really dug 2007s Red Carpet Massacre- a mostly ballyhooed collaboration between the band and a group of hit artists like Justin Timberlake and Timbaland. Three albums later, my first thought on Future Past is that it is Duran Duran trying to modernize their sound. Then I realized for all the highs and lows, DD has always tried to meet the times with whatever new material that they have.

Having said that, the plaudits that go with the new album are good evidence of the band nailing that connection here.

One can’t help but notice the cameos here- Giorgio Moroder, Mark Ronson, Tove Lo, longtime Bowie sideman Mike Garson and the Japanese rock band Chai.

Of course, guests don’t make an album like this (not that these aren’t generally inspired additions) but I think there are a couple things worth noting. British DJ/Remixer Erol Alkan seems to be credited as main producer here with the band and he undoubtedly knows what to do with them.

The other is Blur’s Graham Coxon filling in the guitarist role that had been Andy Taylor’s ( and later Warren Cuccurullo’s). I think that is a welcome addition whereas the band split out duties over multiple guitarists last album.

I think it works because it fits the band, whereas recent attempts sound like the band “trying” to sound contemporary.

I think the best place to start analyzing is “More Joy”. The song combines elements of early oughts House, Shonen Knife style punk, 80s synth, 70s glam stomp and maybe even a bit of 90s Parklife. It is at once, almost so over the top that it is preposterous, and at the other, a realization that it works. “Tonight United” follows a same pattern and is a highlight because of the simplicity - anthemic pop. It is the sound of a band that sounds like they are living in a music video- which fittingly is the sound who recorded Girls on Film and Rio.

“Anniversary” is another track that sounds like a single and would slip in unnoticed on a Duran greatest hits disc.

It’s the same formula that they use when they slow things down on Nothing Less with its repetitive effect. There’s no bum tracks here though the collaborations you expect the most of (the hit singer Tove Lo and Aladdin Sane’s keyboardist Garson aren’t bad, but I find the two songs generally unremarkable). Critics and fans tend to be harshest on the Ivorian Doll collaboration rap-infused Hammerhead but I think it fits in place nicely.

Still, to its benefit, LeBon’s vocals are strong, as is John Taylor’s bass work and it seems like you can draw a straight line from the Arcadia album 35+ years earlier. Coxon as guitarist is a difference maker as well.

Duran Duran albums at this point reminds me of Blondie- a combination of trying to catch the past while eyeing modern pop charts. The album credits filled with guests all over the musical spectrum. Like the last Blondie album (and unlike the last couple of Duran albums) there seems to be someone in control steering the ship. Then you add the fact that everyone sounds like they are having a blast.

Ironically, the reasons people might not like this record are those given for not liking the original Nagel-and-yachts Fab 5, which is mindless synth pop. But on Future Past, mindless synth pop sounds like the bands choice and fans are likely to love it.